Copyright law exists to protect creators – but taken to an extreme, it can also obstruct education, stifle criticism, and limit access to knowledge. That’s precisely why the law builds in a set of safety valves: exceptions and limitations that allow copyrighted works to be used, without the owner’s permission, in specific and socially valuable contexts. In India, these exceptions are consolidated under Section 52 of the Copyright Act, 1957 – the single most important provision for anyone who works with, teaches, or writes about copyrighted material.

Table of Contents

Copyright grants creators a bundle of exclusive rights – to reproduce, distribute, adapt, and communicate their work to the public. But absolute protection can come at a cost. A researcher quoting a published study, a journalist reporting on an event, a teacher explaining a concept using a copyrighted text, a visually impaired student needing an accessible version of a book – all of these situations involve copyrighted material. Without exceptions, each would technically constitute infringement.

Section 52 of the Copyright Act, 1957 resolves this tension. It lists a range of acts that, despite involving copyrighted works, do not amount to infringement. The provision reflects the law’s recognition that copyright protection must be balanced against education, research, free expression, and public interest.

Fair dealing: the core exception

The most significant exception in Section 52 is fair dealing. Under Section 52(1)(a), fair dealing with any work – other than a computer programme – is permitted for three specific purposes: private or personal use (including research), criticism or review, and reporting of current events and current affairs.

India follows a narrow fair dealing approach, unlike the broader “fair use” doctrine in the United States. While U.S. fair use can apply to virtually any purpose and is judged on a four-factor test, Indian fair dealing is strictly limited to the statutorily listed purposes. So a use that might pass the fair use test in America could still be infringement in India if it doesn’t fall within one of these categories.

The term “fair dealing” is not defined anywhere in the Copyright Act, 1957. Indian courts have largely borrowed from English jurisprudence – particularly the observations of Lord Denning in Hubbard v. Vosper (1972) – to interpret what “fairness” means. As the Surana & Surana analysis on fair dealing explains, fairness is determined on the facts of each case, considering factors like the quantity copied, the purpose, and whether the use competes with the original work’s market.

Private or personal use and research

Copyrighted material may be used for private or personal purposes, including research, as long as the use is non-commercial. Limited reproduction for academic study or scholarly work is permitted, provided it does not substitute the original work or harm its commercial value. A student photocopying select chapters for personal study, or a researcher downloading journal articles for private analysis, would generally fall within this exception – but mass reproduction for distribution would not.

Criticism and review

Using portions of a copyrighted work to criticise or review it – or any other work – is protected under fair dealing. A literary critic quoting paragraphs from a novel to evaluate its narrative style, or a film reviewer reproducing dialogue to illustrate a point about screenwriting, can do so without infringing copyright. However, the use must be genuinely critical or evaluative, not a cover for commercial reproduction.

The Kerala High Court’s decision in Civic Chandran v. Ammini Amma is a landmark in this area. The court held that even substantial copying of copyrighted material can be acceptable under the fair dealing exemption if it serves the public interest – particularly in the context of criticism.

Reporting current events

Journalists and broadcasters reporting on current events and current affairs can use copyrighted material to the extent necessary for that reporting. This includes the reporting of a lecture delivered in public. A news channel covering a seminar and broadcasting excerpts of the speaker’s presentation, or a newspaper quoting from a published document in the course of a news story, would ordinarily be protected.

Electronic storage and the digital dimension

Section 52(1)(a) contains an important explanation that extends the fair dealing provision to the digital sphere. The storing of any work in any electronic medium for the purposes listed under fair dealing – including the incidental storage of a computer programme that is not itself an infringing copy – does not constitute copyright infringement. This means that saving a research article locally to your hard drive for personal study, or temporarily caching content during a fair dealing use, is protected.

Additionally, Section 52(1)(b) provides a separate protection for internet service providers and similar intermediaries. Transient or incidental storage of a work purely in the technical process of electronic transmission – such as cached data in a router or buffer storage during streaming – does not amount to infringement, provided the person responsible does not have reason to believe the stored work is an infringing copy.

Specific exceptions beyond fair dealing

Section 52 goes well beyond fair dealing. It sets out a long list of specific permitted acts across different contexts.

Judicial proceedings and parliamentary purposes

The reproduction or use of any copyrighted work for the purpose of judicial proceedings or for reporting those proceedings is permitted. Similarly, use for the purposes of Parliament or a State Legislature is covered. These exceptions ensure that the machinery of law and democracy can function without being hindered by copyright claims.

Educational use

Section 52 contains several education-specific exceptions. Reproduction of a work by a teacher or pupil in the course of instruction, performance of a work in an educational institution before an audience of students and teachers, and the use of short passages from published works in compilations intended for educational use are all permitted. As courts have interpreted it, the extent of use in education is judged by what is justified by the purpose – meaning the amount used must be no more than necessary to achieve the educational goal.

This principle was tested in the well-known Oxford University Press v. Rameshwari Photocopy Services case, where the Delhi High Court dismissed a copyright infringement suit against a photocopy shop operating near Delhi University. The court affirmed that the basic purpose of Section 52 is to protect freedom of expression under Article 19(1) of the Constitution, and that educational copying is fair to the extent justified by the educational purpose.

Access for persons with disabilities

The Copyright (Amendment) Act, 2012 inserted Section 52(1)(zb), which provides a dedicated exception for persons with disabilities. This provision permits the adaptation, reproduction, issue of copies, or communication to the public of any work in any accessible format – such as Braille, audio books, or large-print editions – to facilitate access for persons with disabilities. The exception covers both the person with disability for their own use, and organisations working for the benefit of such persons. Where this provision is insufficient, Section 31B of the Act additionally allows for compulsory licensing to produce accessible format copies on a commercial basis for the benefit of disabled persons.

India’s inclusion of this provision also aligned the country with its obligations under the Marrakesh Treaty, an international agreement specifically aimed at expanding access to books and other copyrighted works for visually impaired persons and those with print disabilities.

Computer programmes: a special regime

Computer programmes are explicitly excluded from the general fair dealing clause. Instead, they are governed by their own set of exceptions under Section 52. These include:

Making backup copies: A lawful owner of a computer programme may make backup copies purely as a temporary protection against loss, destruction, or damage, provided the copies are only for the purpose for which the programme was originally supplied.

Interoperability: Any act necessary to obtain information essential for making an independently created programme work with other programmes is permitted, provided that information is not otherwise readily available.

Observation and testing: Observing, studying, or testing the functioning of a computer programme to understand the ideas and principles underlying its elements is permitted while performing the functions for which the programme was supplied.

Personal use copies: Making copies or adaptations of a computer programme from a legally obtained personal copy for non-commercial personal use is also allowed.

Together, these exceptions recognise that software operates differently from other works – users often need to understand, test, and adapt programmes simply to use them lawfully, and the law accommodates this without treating it as infringement.

Other notable exceptions under Section 52

The list of exceptions in Section 52 is broad. Libraries can make up to three copies of a book not available for sale in India. Unpublished works in public institutions can be reproduced for research or private study. A literary, dramatic, or musical work may be performed at a bona fide religious ceremony, including marriage processions and related social events, without amounting to infringement. Broadcasting organisations can make ephemeral recordings of works they have the right to broadcast, and can retain such recordings for archival purposes if they have exceptional documentary character.

Fair dealing vs. fair use: knowing the difference matters

It’s common – and technically incorrect – to use “fair use” when referring to Indian copyright exceptions. India follows the narrower fair dealing approach rather than the American concept of fair use. Fair use in the U.S. is flexible and open-ended, judged case-by-case using four factors. Fair dealing in India is purpose-limited: if the use doesn’t fit within one of the categories listed in Section 52, it won’t be protected no matter how “fair” it feels in common parlance. This distinction is especially important in legal practice – courts will not extend the exception by analogy or goodwill if the statutory conditions aren’t met.

The 2012 amendment: expanding the scope

The Copyright (Amendment) Act, 2012 significantly expanded the scope of Section 52. It extended fair dealing to cover musical recordings and cinematograph films – which had previously been excluded – and added safe harbour protections for internet service providers against liability for transient or incidental storage. The 2012 amendment also introduced the disability exception under Section 52(1)(zb) and the compulsory licence mechanism under Section 31B. These changes brought India’s copyright law into closer alignment with the Berne Convention, TRIPS, and other international obligations.

What do you think? If a teacher reproduces multiple chapters of a textbook to distribute to an entire class – well beyond what one student would need for personal study – does it still qualify as fair dealing under Section 52? And as digital content becomes increasingly central to education and research, do you think India’s narrow fair dealing framework is adequate to meet the needs of students, educators, and institutions today?

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References
  1. https://indiankanoon.org/doc/1013176/
  2. https://lawbhoomi.com/copyright-infringement-and-its-exceptions/
  3. https://en.wikipedia.org/wiki/Copyright_law_of_India
  4. https://suranaandsurana.com/doctrine-of-fair-dealing-in-indian-copyright-law/
  5. https://www.mondaq.com/india/copyright/1184954/exception-to-infringement-of-copyright-section-52-of-the-copyright-act-1957
  6. https://copyright.gov.in/Exceptions.aspx
  7. https://indiankanoon.org/doc/257434/
  8. https://thelegalschool.in/blog/section-52-of-copyright-act
  9. https://hollaassociates.in/fair-use-and-fair-dealing-in-copyright-law/
  10. https://www.lawjournals.org/assets/archives/2020/vol6issue6/8-2-41-783.pdf

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Copyright and Related Rights

1 Scope of Copyright

  1. Statute
  2. Works in which Copyright Subsists
  3. Case Law
  4. Originality in Copyright

2 Different Rights

  1. Statutory Provisions
  2. Two Kinds of Rights
  3. Author’s Special Rights
  4. Economic Rights
  5. Rights in Literary, Dramatic, and Musical Works

3 Ownership and Duration

  1. Ownership
  2. Term of Copyright
  3. Case Law

4 Exceptions and Limitations

  1. Exceptions and Limitations
  2. Case Law

5 Registration of Copyright

  1. Evolution of Formality Free Copyright Protection
  2. Copyright Registration in India
  3. Mandatoriness of Registration
  4. Evidentiary Value of Registration
  5. Copyright Office and the Registrar of Copyright

6 Assignments, Licences, Revocations

  1. Assignments
  2. Licences
  3. Revocations

7 Copyright Societies

  1. Copyright Societies in India
  2. Procedure for Registration
  3. Functions of Copyright Society

8 Copyright Board

  1. Jurisdiction of the Board
  2. Composition of the Board
  3. Powers of the Board
  4. Procedures of the Board

9 Infringement of Copyright

  1. Infringements
  2. Permitted Uses

10 Civil Remedies

  1. Scope of Civil Remedies
  2. Innocent Infringement
  3. Anton Piller Order
  4. Damages and Accounts of Profit
  5. Author’s Special Rights and Civil Remedies
  6. Ownership of Infringing Copies

11 Criminal Proceedings

  1. Offences
  2. Who Can Initiate Criminal Proceedings?
  3. Cognizance of Offence and Court of Jurisdiction
  4. Penalties

12 Border Measures

  1. Provisions in the Copyright Act regarding importation
  2. Border Measures as per Customs law

13 Rights of Sound Recording Producers

  1. Definition of Sound Recording
  2. Author and First Owner of Rights
  3. Rights of Producers
  4. Exceptions and Limitations
  5. Duration of Protection
  6. Administration of Rights
  7. Civil Remedies
  8. Offences and Penalties

14 Rights of Broadcasting Organisations

  1. Definition of Broadcast
  2. Rights of Broadcasting Organisations
  3. Duration of Protection
  4. Administration of Broadcast Reproduction Rights
  5. Exceptions and Limitations
  6. Infringement and Remedies

15 Performers’ Rights

  1. Definition of Performer
  2. Rights of Performers
  3. Infringement of the Rights of Performer and Remedies

16 International Protection of Copyright

  1. Definition of Broadcast
  2. International Conventions and Agreements
  3. Rights of Broadcasting Organisations Under the Copyright Act, 1957
  4. Limitations and Exceptions
  5. Remedies for Infringement